Ocean’s Eleven †Film analysis Essay

The blockbuster film nauticals xi, released in 2001, was the number one film of a trilogy of burgle films directed by Steven Soderbergh. This braggart(a) budget crime-thriller remake of the 1960s bottom Pack favourite conveys the intricately thrilling bandage where Daniel naval leads a rag-tag assort of con artists and ex-cons for the monumental steal of 3 major Las Vegas Casinos.This sequence is signifi fag endt because it sets up the diegesis of the film and in any case gives us an acumen into the source of the protagonist. Also, structur whollyy, the set up of the heist is crucial to setting up the auditions high gear expectations and apprehensions of how something of this scale loafer be achieved smoothly. Daniel naval, head for the hillsed by A-list wizard George Clo atomic number 53y, is macrocosm inter visioned by the pa parting come on at a small in the raw Jersey assign prison house house. Immediately later being released, naval heads straight for Atlantic City and whence Las Vegas to begin recruiting aged(prenominal) acquaintances for his grandest heist yet. The musical style feature of bring together the heist team members, each with a specific skill, is an extremely important one as it functions to make the audition ask what role each will play and how, exactly, their skills will come into play later. by dint of this sequence, it is do clear to us that Daniel ocean is a leader and a natural, experienced criminal whose goals and ambitions be non touched by prison.To put this film and its heist theme into context, we must take into love the signifi evokece of using a casino in Las Vegas as the target of the heist. Las Vegas, in addition kip downn as sin city, is the pleasure and shimmer capital of the world, where fortunes ar make and lost. Las Vegas connotes certain values and attitudes. Heist genre films cave in to make the thieves charismatic and virtually heroic, therefore, the object or institution be ing robbed must be suffern as atrocious in some personal or social way. A casino in Las Vegas is a symbol of mass merged greed, capitalism on a violent scale, and a regularize where the odds are stacked in the casinos favour. The stakes are so high when it comes to robbing a casino that, Daniel sea and his 10 associates are not only swordplay their chances of going to prison, they are gambling with their lives. We k this instant that this is the case with this film because we can see Daniel oceanic unthreatened and unaffected by prison life.MISE EN SCENEDuring the interview in the prison, The Mise en scene lends meaning to the concomitant that it isnt a nice place to be, where conformity reigns, and individuality is quashed. The dark mise en scene, with the walls painted grey, as a prison is, creates an institutionalized atmosphere. The empty benches behind the character indicate the characters desolation in prison. There is as sanitary a barred window in the background, consisting the orthogonal world and something that can be seen hike not experienced as full(a) as the fan that isnt on, still emphasising the lifeless atmosphere of the prison. designing situation is potently thought out to arrangement sea in the centre, as the main character, and one side of him lit, from outside crystalise, the rising(prenominal) in darkness from inside the prison, introducing the undefiled narrative structural opposition of good versus evil, and exhibit maritimes both sides in the shut in and lighting. The low-key back lighting creates a halo effect and prevents the audience from recognising him, creating instant mystery and suggesting he is doing something wrong or obscureive, characteristic of the genre.Through Costume, Hair, and make-up, we see that Daniel sea, whiskered and slouched, is wearing a dark ecru jumpsuit with a white undershirt, which represent his repression and captivity. Although naval is presented as a criminal, his shin e back hair, articulated speech and brilliance image make him appealing. Clooney is usually seen as playing the hero in films, a trait common in studio films such as this, so the audience will expect the same of him in this film, although he is being portrayed, not as a legality- stay on citizen or law enforcer, but as a felon.As oceanic leaves the prison, we see natural light coming from outside of the prison, with maritime, facing out-of-door from us, silhouetted. This light is there to represent freedom, and thresh from the confining walls of prison Oceans silhouette raises yet more(prenominal) puzzles. Figure placement puts the North Jersey State Prison prison behind Ocean as he walks out, setting the fix and also symbolizing Ocean difference the prison and life of confinement behind.In the next location, a casino in Atlantic City, we gestate a life-sized contrast in mise en scene, which conveys to us Daniel Oceans character in a non-confined setting. As this destin ation is the first place that Ocean visits after divergence prison, it suggests that it plays a prodigious role in the narrative. In the background, chandeliers can be seen, along with potted plants, and a burgundy and gold food colour scheme, symbolizing wealth and desire.Ocean himself is now cleanly shaven, stylishly suited and can now be seen as such(prenominal) more of an individual, with the high-key lighting showing all of his facial ruminations. All of the mise-en-scene shows the audience how this new setting is much more welcoming, the colors used give the setting a smell that Ocean feels at firm and the artificial light brightens up the perfect snap fastener. The setting is made clear to the audience and the large budget of the film is made evident by the use of shore up such as the slot machines, roulette tables and the uniformed croupiers. These uniforms are also significant because the croupiers are wearing referencetags, giving them an identity, which furthe r contrasts the prison life where the prisoners in uniforms have no identity.Cinematography and EditingArguably the most critically acclaimed aspect of Oceans cardinal is the exceptional cinematography and editing. Stephen Soderberghs notional influence as an auteur is seen through cinematography and editing and it is known to be effective in conveying the plot with or without converse. The peters in this sequence are typically quite long durations of press stud because they permit for the setting and context to sink in.The cave ining shot is medium cobblers last-up shot on the character, who is positioned in the centre of the shot. This long duration of shot allows the audience to take in Daniel Oceans character in detail, illustrating his splendour.A fast cut to a close up shot reveals the character to be Hollywood star George Clooney, fixed and cogitate onto his face, allowing for a more personal participation with the character, and also allowing individuality.This clo se up also reveals his eyes, which help gain the audiences trust, emphasizing his importance even further. The bobbing photographic camera movement suggests the point of view from some other character, the parole interviewer.A point of view shot through jail kiosk bars and slow tracking shots of Ocean leaving the prison suggests that other criminals figure up to Ocean as an icon.A close up shot of Daniels oceans hand prop a wedding band conveys the importance of the ring, and hence, the importance of his ex wife. This impression is corroborate when the camera behind pans up to Oceans face, revealing his longing expression.A close up tracking shot from behind Ocean is used as he exits through the prison furnish to emphasise his importance and his role as a leader.In Atlantic City, a shallow focus shot of Ocean rising up in an escalator, record from a low-level camera angle, indicates Daniel Oceans rise from a slow repressed lifestyle to the pretentious cooking of an epic h eist. The shallow focus allows for more emphasis on Ocean.Once Ocean is seated at a jack oak table, there are several shot-reverse-shots of Ocean and the croupier, which doesnt chance upon the 180-degree rule, and also allows for dialogue. This helps to establish narrative. A point of view shot, from Oceans perspective, shows another croupier talking to somebody, showing that something had caught his eye. This suggests one of the characters in this shot, plays a role of importance in the future narrative.The feminine croupier walks out of the frame and is replaced by the worldly concern from the preceding(prenominal) shot. This raises enigma as to why she has left, and satisfies the audiences expectations of one of the previous characters being of some significance. The camera then zooms in closer to Frank, whose name is established from the dialogue. This zoom suggests that this conversation surrounded by him and Ocean is that of a more secret nature, mingled with those two, and the audience. Both characters seem to have their eyes at the same upper sidein an eye-line match, suggesting friendship and equality, but also raising an enigma between the two characters, as to how they are friends.SoundDiegetic and non-diegetic sound are used to collaboratively to augment the sequence in several ways.Off screen, metallic diegetic sounds can be heard, like large, heavy doors, or keys, and voices can be heard, but not distinctly. This off screen sound raises an enigma as to what the source of these noises are, cueing their significance to the plot as associated with confinement and prison, setting up the threat of prison for the thieves later on in the film.Off screen diegetic dialogue can be heard from a well educated, seemingly law abiding character, interviewing our character, who we find out to be Danny Ocean, tie in with the title, and giving more primer to the fact that he is the protagonist in this film. This interviewer acts as a contrast between law -abiding citizens, and the stereotypes that are commonly embed in prison, representing the good, in this film.When the interviewer asks Ocean What do you think you would do if released? he does not respond, but a cut to a close up of his face and a non-diegetic baseline insinuates that he indeed plans to break the law again. We dont lack any script to suggest this as the mischievous, jazzy non diegetic sound and the close up of Oceans facial expression tell the audience all they study to know.The non-diegetic sound thickens with more instruments as Daniel Ocean leaves the solitary prison life and enters the effusive casino. Combined with the diegetic sound of the casino machines and the gambling crowds, this sound build up represents Daniel Ocean gathering together ideas and the gang members for the heist, slowly coming back to life.The non-diegetic sound is of a funky jazz genre, reflecting Oceans optimistic attitude as well as giving a sense of mischief and complexity.Critical ReceptionOceans Eleven, with its A-list cast and fine director, was considered to be a success at the box office and with critics. The film authentic a rating of 80 portion at Rotten Tomatoes. People clip called the film pure fun from adopt to finish, and included it in its end-of-year Best of bury list.With its 85 million dollar budget, Oceans Eleven grossed over 183 million US dollars in the US alone and over 260 gazillion dollars overseas, making it an extremely commercially productive film.Bibliographyhttp//www.imdb.com/title/tt0240772/